Showing posts with label Sunday Essay. Show all posts

Sunday Essay - Another publisher closes it's doors.

Another week and another publisher closing down.

This time Loose Id. 

I’ve never worked with them but they were the publishers for a lot of my friends who will now have to find new homes for their work. Loose Id have been around for a very long time, and were one of the stalwarts of online publishing.

On Facebook I’ve seen an incredible amount of debate as to why the publisher closed. Did they not move with the times? Were their prices too high? Did Amazon’s ferocious grip on selling books drive them out? Did they fall down on marketing? Were they too big/old? We they destroyed by KU? Was it because of self publishing?

I can’t speak for what happened at Loose Id, but I should imagine it was a combination of all of those things.

The market has changed so much in the seven years I’ve been writing. It used to be that you sent a manuscript to a publisher; they edited it, gave you a cover, did a bit of marketing, and you were seen because so many people visited that publisher site.

Now the 'majority' of people go to Amazon see the top 100 and buy from there. (note, majority doesn't include everyone; some people still look at Publisher lists and buy direct).

It used to be that a couple of sexy images with your book in them would constitute marketing, and be enough for people to see your book and to buy it. No need to create discussion groups, or form relationships with people to boost you. Used to be that putting your cover in a magazine, or highlight you at a convention was enough to get a buzz about your books. Then published GLBTQ books went from several hundred, to thousands, to more.

Marketing is all about the author, it is the author’s responsibility to market themselves harder than a publisher would. A publisher cannot market you as much as you can yourself.


I recall my first conversations with Totally Bound (Entwined/Pride/Whatever). They promised the earth, and it all sounded so good. A microsite for my books, where they would invest time in working on my brand. Solidly edited books that would have no faults. Cover Art that would wow people. Mentions in magazines. Interviews. The ability to put my books up on the Zon as pre-orders. You name it and I was promised it, and I must say though, that the cover art they supplied me with was always gorgeous. For me, it was the only thing they did right.

And so I went to them with a couple of my old Silver books and a brand new series, the Ellery Mountain books, oh and End Street with Amber of course.

And Crooked Tree Ranch (edited a week or so before release), with no marketing back up at all apart from a lovely cover, no microsite, no interviews, no push, nothing. Easy money for them, a disappointment from me and the beginning of the end for my time with them. They lost me, my Montana series, and any future books.

Think about it, they could have had my new Wyoming series, my Christmas books, my standalones, hell, me and VL might have even put our Hockey books there.

But what could they do for me that I couldn’t do for myself?

I’m LUCKY, I know this, and I am not saying for one minute everyone who wants to write gives up their job and locks themselves in a room to write. I am a full time writer, with the time to work on marketing, and writing more books, and spending time with readers.

Others have full time jobs, and writing is extra, they don’t want the hassle or indeed the cost of editing, or cover art, or the expenses of marketing, and a publisher is their best route.

Problem is, so many of us have control over what we do and end up self publishing, and Publishers lose us. Is that the fault of the self publishers? Is it Amazon’s fault? Or did the publishers not move with the times?

Let's just look at price.

My new Christmas book is a dollar less than I would normally charge, simply because it’s kind of a Christmas gift for readers. It’s £2.99 (and for up to 50k I normally charge 3.99). You won't see a publisher putting books out at an aggressive price, because they can’t. They have staff, buildings maybe, all kinds of overheads.

But $7 for a 50k book? It doesn’t matter your opinion on devaluing our work by charging less (that is another blog for another time), unless that author is an auto buy for you, would you take the chance on a new $7 book from an author you didn't know?

I worry that publishers are depending too much on their big names bringing in enough to cover the books that maybe don’t sell as well.

And what happens if your big names leave? Or they write a book that doesn’t sell? Where will a publisher find their next big name?

It’s getting less and less likely that the next 'big thing' in this market will come from a publisher.

Because that new writer, who markets themselves, prices themselves decently, has a positive and sunny presence on Facebook, Twitter and other platforms, makes connections and friendships with existing authors, markets themselves every day… they will inevitably up self publishing when they see the publishers aren’t doing enough for them.

I’m not calling publishers dinosaurs. I’m not saying they should all pack up and go home. There is a strong need for publishers in this delicate ecosystem of publishing. For newbies, for us old guys, for limited innovation, for taking the stress and cost of publishing away from the new author. For selling your books to audio or translating them. That is their place.

I’ve said it before and I will say it again, it is up to the author what avenue they choose, the one that feels best for them, self-publishing, going with a publisher, or a hybrid of both.

The cost of a quality product is enormous. The market is changing daily.

And I don’t agree that it is *The fault of self publishers* or *Amazon’s fault*. I honestly think publishing companies are struggling to give authors and readers what they really need. :(

And so they end up having to shut their doors.

*Sad*


Farm authors, the destruction of our community, and WTF.

This title isn’t click bait, I promise you.
I want to talk about BookBub, and give you an honest insight into my sales for one day in August and then talk about an issue that just won’t leave me alone. I promise you the link is there and it will all make sense in the end

I had a BookBub this last week. For those of you who don’t know what that is, it’s this company with a huge amount of subscribers who are interested in receiving emails about authors who have a free, or heavily discounted, book available. The author pays to have their book included and in general you make the money back.

In my case, I featured Crooked Tree Ranch. I made it available for only 99c and the email was duly sent to subscribers, and within a day I was number 1 on Amazon gay romance in Aus, Can, and the big one, US. Interestingly I think I got to number 3 or thereabouts on UK.

Not only did I get to number 1 on Amazon but I was at one point the proud author of the 240th bestselling book on ALL of Amazon US. I was up there with Nora Roberts… something I am a little astounded by (Brit-speak for overwhelmed).

I am incredibly lucky. I’ve hit number one before with The Christmas Throwaway. The Heart of Texas did similarly well, as did Crooked Tree Ranch way back when it was with a publisher. Bodyguards, early Sanctuary, they were all *top ten* on Amazon and there is one major benefit to being top 10.

Visibilty.

I used to be a web designer, and we had this term borrowed from the newspaper world called *above the crease*. When you go to a website the information you see first off is what you focus on, and a lot of people don’t scroll. The important detail is that which is handed to you quickly and with bold headlines, or flashy graphics (*number 1 bestseller* being the one that you get on Amazon now).

So, a reader goes to Amazon, clicks to best sellers gay romance, and voila, they are presented with the top 100, a lot of them are only 99c. And for one day I was right there above the crease and at number 1.

It’s near impossible to get top 10 now. Predominantly the top 100 is now filled with KU books. The benefit to KU, with a concept is like Netflix, is that you pay your money monthly and you get to *borrow* books for free. I have seen some of my friends, newer than me to the MM romance world, make KU work for them very well. I choose not to put my books in KU simply because 30% of my readers use other places for their books, and I don’t actually like KU an awful amount. However KU is now fundamental to the creation of the top 100 book list on Amazon.

Incidentally, if you want to read a book enrolled in KU that is bloody awesome and worth every single second you read then NR Walker’s new one is out soon… she is an example of a hardworking author using KU for good. Check out all her books. J

Anyway, I digress, this is not a post about KU particularly, I must stress that here, it works well for ethical authors who work hard and produce quality books. Unfortunately it also works well for farm-authors, some of whom write good stuff apparently, but more on that in a minute.

So, back to BookBub which is where I started. I thought I would run some stats on the Crooked Tree Ranch BookBub.

How many books did I sell through the BookBub that meant I was number 1?

There were some sales before BookBub day, and some after, but on the day I hit number 1, how many did I sell?

805 copies sold of Crooked Tree Ranch for $235.99

All at 99c, which just looking at the sales without the financials, I was stunned, and very pleased that 805 people took a chance on the book at 99c, after all, it’s one of my previous better selling books – I genuinely thought everyone had got their fill of my cowboys and the ranch. I also saw an uptake in book 2, 3 and 4. So, that was all excellent, wonderful news.

And I got to number 1, so I get the best seller badge J which I really ought to add to my web page at some point. I also had CTR sitting in the top ten for a couple of days, which isn’t bad for an old book.

Then it hit me, when I was in bed that night, as I thought about the day, and the sales, and the implications of the BookBub. I’ve been super angry about what I like to call the *farms* who take up the top 100.

What is farming? I’m not sure this is even the right word to use for this, but it’s one that others use and it seems to be sticking.

Farming is a group of authors who write under one name to game *the Amazon system* in various ways. They want to *dominate the top 20* in Amazon and they want to take down *The Old Guard* (by that I guess they mean any of us who’ve been around a while).

It started, to my knowledge, with Sierra Riley. But of course, it could have been happening earlier for all I know.

It’s not two authors co-authoring like for example myself and Vicki with our hockey books. It could be five different authors each writing one book in a series of linked books and all releasing under one name with varying levels of storytelling and writing ability.

To summarize, these books are in the top 100 and you can identify them by the following:
  • 50-100+ reviews in the first few days
  • A price of 99c, although some end up at 2.99
  • An author name like – Brian Butler, Adam Archer, or the new ones that take a successful author like Piper or Riley, and add another author surname like Scott or Vaughn. 
  • Books issued monthly – so five books in a series that are released monthly one after the other.
  • 50 reviews of 5stars, with a few 4stars thrown in and then a couple that redflag that *this book is not as good as the others in the series*.
  • Review groups on Facebook such as MM Book recs, who are full of identities recommending books by these authors.
  • Covers using the same artist and a similar font for author name.
I found this situation frustrating, disheartening, it made me sad.

But, I was disappointed with myself. Was I failing? My sales and income were steady, increasing actually, but visibility in my biggest market, Amazon, was diminishing. Why didn’t I get as many reviews as these new authors, was I not writing the kinds of things that people wanted to read, what was I doing wrong? It was a black time, and it’s one that a lot of other authors are still in the middle of.

So many authors out there are judging themselves as having failed and my heart breaks for them.

I could see friends of mine who used to get visibility in the top 100 literally vanish and not make the charts. People who used to sell 200 books a month were selling 5. Mid-listers were vanishing, and it seemed like every week another author was announcing they were giving up, or having to get another job. Hell, we’re losing authors every day.

And then I spotted an author, Sierra Riley, and certain patterns, and the farming issue was revealed, not just by myself but by other observant authors. I’ve spoken about this before in length. In general I think this is cheating readers who expect a certain author and can’t be certain who they are getting when they read a book. I’ve heard all the arguments in defense, but boy it rubs me up the wrong way with my innate sense of fair play.

So many hard working authors who don’t play games have stopped writing.

This is just my opinion but I think these farm authors are part of the devaluing of our writing community with price expectation and the quality of what a reader is being given that can be hit and miss. Then some of the farm authors are now out on their own, having gotten an audience this way, and they argue it was nothing, and that they weren’t really working together to get $25,000 KU bonuses.

Our mid-listers are leaving, the market is closing out on new authors.

And for what.

This is where I came to a realization this week.

These farm authors getting top 10 in Amazon gay with their 99c KU books. They could be getting 800 borrows a day, but for what? They can’t be making much money unless they reach bonus levels, which isn’t such a given now. And what kind of page reads are they getting, are they actually making decent money, enough to warrant what they are doing?

Do they care?

And for every one of them who reads this and has the one rejoinder they like to use – She’s just jealous of our sales, our money, and our success.

LOL, believe me, I am far from jealous.

No. I’m furious, sad, disappointed, and hope to hell they are exposed for what they are sooner or later. Or that KU finally wakes up and lumps them in with the scammers.

Before our community stops growing, and before too many authors give up.