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Sunday Essay - Another publisher closes it's doors.

Another week and another publisher closing down.

This time Loose Id. 

I’ve never worked with them but they were the publishers for a lot of my friends who will now have to find new homes for their work. Loose Id have been around for a very long time, and were one of the stalwarts of online publishing.

On Facebook I’ve seen an incredible amount of debate as to why the publisher closed. Did they not move with the times? Were their prices too high? Did Amazon’s ferocious grip on selling books drive them out? Did they fall down on marketing? Were they too big/old? We they destroyed by KU? Was it because of self publishing?

I can’t speak for what happened at Loose Id, but I should imagine it was a combination of all of those things.

The market has changed so much in the seven years I’ve been writing. It used to be that you sent a manuscript to a publisher; they edited it, gave you a cover, did a bit of marketing, and you were seen because so many people visited that publisher site.

Now the 'majority' of people go to Amazon see the top 100 and buy from there. (note, majority doesn't include everyone; some people still look at Publisher lists and buy direct).

It used to be that a couple of sexy images with your book in them would constitute marketing, and be enough for people to see your book and to buy it. No need to create discussion groups, or form relationships with people to boost you. Used to be that putting your cover in a magazine, or highlight you at a convention was enough to get a buzz about your books. Then published GLBTQ books went from several hundred, to thousands, to more.

Marketing is all about the author, it is the author’s responsibility to market themselves harder than a publisher would. A publisher cannot market you as much as you can yourself.


I recall my first conversations with Totally Bound (Entwined/Pride/Whatever). They promised the earth, and it all sounded so good. A microsite for my books, where they would invest time in working on my brand. Solidly edited books that would have no faults. Cover Art that would wow people. Mentions in magazines. Interviews. The ability to put my books up on the Zon as pre-orders. You name it and I was promised it, and I must say though, that the cover art they supplied me with was always gorgeous. For me, it was the only thing they did right.

And so I went to them with a couple of my old Silver books and a brand new series, the Ellery Mountain books, oh and End Street with Amber of course.

And Crooked Tree Ranch (edited a week or so before release), with no marketing back up at all apart from a lovely cover, no microsite, no interviews, no push, nothing. Easy money for them, a disappointment from me and the beginning of the end for my time with them. They lost me, my Montana series, and any future books.

Think about it, they could have had my new Wyoming series, my Christmas books, my standalones, hell, me and VL might have even put our Hockey books there.

But what could they do for me that I couldn’t do for myself?

I’m LUCKY, I know this, and I am not saying for one minute everyone who wants to write gives up their job and locks themselves in a room to write. I am a full time writer, with the time to work on marketing, and writing more books, and spending time with readers.

Others have full time jobs, and writing is extra, they don’t want the hassle or indeed the cost of editing, or cover art, or the expenses of marketing, and a publisher is their best route.

Problem is, so many of us have control over what we do and end up self publishing, and Publishers lose us. Is that the fault of the self publishers? Is it Amazon’s fault? Or did the publishers not move with the times?

Let's just look at price.

My new Christmas book is a dollar less than I would normally charge, simply because it’s kind of a Christmas gift for readers. It’s £2.99 (and for up to 50k I normally charge 3.99). You won't see a publisher putting books out at an aggressive price, because they can’t. They have staff, buildings maybe, all kinds of overheads.

But $7 for a 50k book? It doesn’t matter your opinion on devaluing our work by charging less (that is another blog for another time), unless that author is an auto buy for you, would you take the chance on a new $7 book from an author you didn't know?

I worry that publishers are depending too much on their big names bringing in enough to cover the books that maybe don’t sell as well.

And what happens if your big names leave? Or they write a book that doesn’t sell? Where will a publisher find their next big name?

It’s getting less and less likely that the next 'big thing' in this market will come from a publisher.

Because that new writer, who markets themselves, prices themselves decently, has a positive and sunny presence on Facebook, Twitter and other platforms, makes connections and friendships with existing authors, markets themselves every day… they will inevitably up self publishing when they see the publishers aren’t doing enough for them.

I’m not calling publishers dinosaurs. I’m not saying they should all pack up and go home. There is a strong need for publishers in this delicate ecosystem of publishing. For newbies, for us old guys, for limited innovation, for taking the stress and cost of publishing away from the new author. For selling your books to audio or translating them. That is their place.

I’ve said it before and I will say it again, it is up to the author what avenue they choose, the one that feels best for them, self-publishing, going with a publisher, or a hybrid of both.

The cost of a quality product is enormous. The market is changing daily.

And I don’t agree that it is *The fault of self publishers* or *Amazon’s fault*. I honestly think publishing companies are struggling to give authors and readers what they really need. :(

And so they end up having to shut their doors.

*Sad*


Everyone's life journey is different

If you write about an autistic child, I have every right to judge your words. Because I have a child with autism and my journey with that child is authentic, and everyone with an authentic story like mine has the same journey.

Right?

Wrong.

Everyone's journey is different. Matthew loves stuffed cats, but what if another author has their character liking stuffed dogs. Could I berate them for getting things 'wrong'? Of course not. Now if they wrote that all people on the spectrum are like Rain Man, then I could argue, hang on, what about my son? He's nothing like that. How can you make sweeping statements like that about a whole spectrum of people? I wouldn't though, I would just walk on by and not read that story. Simple.

As authors, whatever gender or identity, I genuinely think we have a responsibility to respect differences and understand everyone's life journey is different. We also have to accept that sometimes we get things wrong when we don't fully understand this.

I found an article  a while back in which other authors much more eloquent than me spoke up about cultural appropriation.

https://www.theguardian.com/books/2016/oct/01/novelists-cultural-appropriation-literature-lionel-shriver

I picked the following from the article and hope I live by these maxims in my writing:

"We can write who we are not and do it well if we write with passion, strength – and care. We’re bound to get it wrong sometimes, but that doesn’t mean we shouldn’t try. If we want our writing to reflect the truth, then our characters and their experiences must be as diverse as the world in which we live." Stella Duffy


"... you have to try to do it well. You have to be familiar with whatever tropes might apply to your character: racist, sexist, homophobic, sizeist, ableist, antisemitic and anything else. It’s not OK, for example, to make your Chinese character shifty and inscrutable or your fat character stupid and lazy: you need to have learned enough to understand where these false ideas come from and why it’s so pernicious to replicate them. Do better. Treat your characters as human beings. Write them as people not ideas or stereotypes."  Naomi Alderman

All I can say is, I write the truth of my characters, and I hope never to cause true offense.

Peace.

How much would you pay for an RJ Scott book?

A few years back I talked about the thorny issue of price and perception of price and I see that the subject has been raised again in the MM Book rec group on Facebook.

In summary I mostly said the following:

Pricing in the ebook industry is an emotive subject, and as an author and a reader I can see both sides.

Perception of value. Does the purchaser equate the cost of a book with the cost of a coffee? Or are they using their last $3 to buy a book?

Either way, I said, as an author it is vital to be in that middle ground where people perceive your book as being good value. This could be as simple as setting the perfect price. Or as nebulous as understanding your own value as an author. 

I then explained how much someone would make on a sale

Self Published authors:

Sale price: $2.99
Amazon percentage: $0.90
Amazon download charges etc: $0.04
Income to an author who self publishes $2.05 per kindle book sold

(Authors with a publisher will have a smaller cut obviously)

Proviso, these are rough amounts, not specific, and there are differences along the line, not least of which are conversion rates on currency.

Setting a price

There are factors helping to decide on how to set a price. I can't talk for the publishers and how they set their prices but there are interesting questions to answer for the author who self publishes. There are whole discussions to be had on supply and demand, perception of value, whether your heart rules your head or the other way around and so on.

What is a book worth to the reader?

From my point of view as a reader, I have auto buy authors and I pretty much don't care what they charge, I will buy them. I have a perception of there being a 'good value' in the reading of anything they write, and I know these authors will deliver me a good story, a 99c price doesn't devalue them to me, and a higher price won't put me off.

The glut of the 99c book

Does an author selling their book at 99c makes more sales? Does this price devalue the book? Are people suspicious of content or quality? Is there in fact an actual price that people see which means they feel the book will be *good*? There are a lot of authors, both in our genre and outside, who successfully use the 99c price point. Especially when the 99c book is the perfect impulse buy for people to try out your writing. 

The problem with the 99c price point?  Taking my sale example from above and setting it to 99c and with the lower % from Amazon you'd have to sell 6 or 7 times as many books at 99c to make the same money as selling one book at 2.99.

Unfortunately for the MM genre (I can't talk for the MF and other romance genres - but I know this happens there as well) we can't trust a lot of the 99c books. Too many times the 99c books turn out to be scammers, farms, several authors writing under one name with wildly different quality, or just plain old plagiarism.

Don't get me wrong, 99c worked for me on my Crooked Tree Ranch book bub, but it was only for a couple of days and anyone who bought it would be able to see reviews. Hopefully they would  have a perception that others found it of a certain quality but that it was cheap for just a short time. A sale. A bargain.

How long does it take to write a book?

My answer to that is how long is a piece of string? Some authors write 3000 words a day, some more, some less, some write at weekends, for some it is a full time job.

But however long it took, at the end of the read, if you can shut your kindle and you have a sappy smile on your face, or you want to tell your reader friend you loved it, or you ugly cried, then love has gone into that book.

Not coercion to buy, not gaming the system, not pricing low to move borrow volumes in KU.

Love.

If I am lucky enough that it is a book of mine you read, that I have priced as fairly as I could, then thank you for spending your money on my words.

Farm authors, the destruction of our community, and WTF.

This title isn’t click bait, I promise you.
I want to talk about BookBub, and give you an honest insight into my sales for one day in August and then talk about an issue that just won’t leave me alone. I promise you the link is there and it will all make sense in the end

I had a BookBub this last week. For those of you who don’t know what that is, it’s this company with a huge amount of subscribers who are interested in receiving emails about authors who have a free, or heavily discounted, book available. The author pays to have their book included and in general you make the money back.

In my case, I featured Crooked Tree Ranch. I made it available for only 99c and the email was duly sent to subscribers, and within a day I was number 1 on Amazon gay romance in Aus, Can, and the big one, US. Interestingly I think I got to number 3 or thereabouts on UK.

Not only did I get to number 1 on Amazon but I was at one point the proud author of the 240th bestselling book on ALL of Amazon US. I was up there with Nora Roberts… something I am a little astounded by (Brit-speak for overwhelmed).

I am incredibly lucky. I’ve hit number one before with The Christmas Throwaway. The Heart of Texas did similarly well, as did Crooked Tree Ranch way back when it was with a publisher. Bodyguards, early Sanctuary, they were all *top ten* on Amazon and there is one major benefit to being top 10.

Visibilty.

I used to be a web designer, and we had this term borrowed from the newspaper world called *above the crease*. When you go to a website the information you see first off is what you focus on, and a lot of people don’t scroll. The important detail is that which is handed to you quickly and with bold headlines, or flashy graphics (*number 1 bestseller* being the one that you get on Amazon now).

So, a reader goes to Amazon, clicks to best sellers gay romance, and voila, they are presented with the top 100, a lot of them are only 99c. And for one day I was right there above the crease and at number 1.

It’s near impossible to get top 10 now. Predominantly the top 100 is now filled with KU books. The benefit to KU, with a concept is like Netflix, is that you pay your money monthly and you get to *borrow* books for free. I have seen some of my friends, newer than me to the MM romance world, make KU work for them very well. I choose not to put my books in KU simply because 30% of my readers use other places for their books, and I don’t actually like KU an awful amount. However KU is now fundamental to the creation of the top 100 book list on Amazon.

Incidentally, if you want to read a book enrolled in KU that is bloody awesome and worth every single second you read then NR Walker’s new one is out soon… she is an example of a hardworking author using KU for good. Check out all her books. J

Anyway, I digress, this is not a post about KU particularly, I must stress that here, it works well for ethical authors who work hard and produce quality books. Unfortunately it also works well for farm-authors, some of whom write good stuff apparently, but more on that in a minute.

So, back to BookBub which is where I started. I thought I would run some stats on the Crooked Tree Ranch BookBub.

How many books did I sell through the BookBub that meant I was number 1?

There were some sales before BookBub day, and some after, but on the day I hit number 1, how many did I sell?

805 copies sold of Crooked Tree Ranch for $235.99

All at 99c, which just looking at the sales without the financials, I was stunned, and very pleased that 805 people took a chance on the book at 99c, after all, it’s one of my previous better selling books – I genuinely thought everyone had got their fill of my cowboys and the ranch. I also saw an uptake in book 2, 3 and 4. So, that was all excellent, wonderful news.

And I got to number 1, so I get the best seller badge J which I really ought to add to my web page at some point. I also had CTR sitting in the top ten for a couple of days, which isn’t bad for an old book.

Then it hit me, when I was in bed that night, as I thought about the day, and the sales, and the implications of the BookBub. I’ve been super angry about what I like to call the *farms* who take up the top 100.

What is farming? I’m not sure this is even the right word to use for this, but it’s one that others use and it seems to be sticking.

Farming is a group of authors who write under one name to game *the Amazon system* in various ways. They want to *dominate the top 20* in Amazon and they want to take down *The Old Guard* (by that I guess they mean any of us who’ve been around a while).

It started, to my knowledge, with Sierra Riley. But of course, it could have been happening earlier for all I know.

It’s not two authors co-authoring like for example myself and Vicki with our hockey books. It could be five different authors each writing one book in a series of linked books and all releasing under one name with varying levels of storytelling and writing ability.

To summarize, these books are in the top 100 and you can identify them by the following:
  • 50-100+ reviews in the first few days
  • A price of 99c, although some end up at 2.99
  • An author name like – Brian Butler, Adam Archer, or the new ones that take a successful author like Piper or Riley, and add another author surname like Scott or Vaughn. 
  • Books issued monthly – so five books in a series that are released monthly one after the other.
  • 50 reviews of 5stars, with a few 4stars thrown in and then a couple that redflag that *this book is not as good as the others in the series*.
  • Review groups on Facebook such as MM Book recs, who are full of identities recommending books by these authors.
  • Covers using the same artist and a similar font for author name.
I found this situation frustrating, disheartening, it made me sad.

But, I was disappointed with myself. Was I failing? My sales and income were steady, increasing actually, but visibility in my biggest market, Amazon, was diminishing. Why didn’t I get as many reviews as these new authors, was I not writing the kinds of things that people wanted to read, what was I doing wrong? It was a black time, and it’s one that a lot of other authors are still in the middle of.

So many authors out there are judging themselves as having failed and my heart breaks for them.

I could see friends of mine who used to get visibility in the top 100 literally vanish and not make the charts. People who used to sell 200 books a month were selling 5. Mid-listers were vanishing, and it seemed like every week another author was announcing they were giving up, or having to get another job. Hell, we’re losing authors every day.

And then I spotted an author, Sierra Riley, and certain patterns, and the farming issue was revealed, not just by myself but by other observant authors. I’ve spoken about this before in length. In general I think this is cheating readers who expect a certain author and can’t be certain who they are getting when they read a book. I’ve heard all the arguments in defense, but boy it rubs me up the wrong way with my innate sense of fair play.

So many hard working authors who don’t play games have stopped writing.

This is just my opinion but I think these farm authors are part of the devaluing of our writing community with price expectation and the quality of what a reader is being given that can be hit and miss. Then some of the farm authors are now out on their own, having gotten an audience this way, and they argue it was nothing, and that they weren’t really working together to get $25,000 KU bonuses.

Our mid-listers are leaving, the market is closing out on new authors.

And for what.

This is where I came to a realization this week.

These farm authors getting top 10 in Amazon gay with their 99c KU books. They could be getting 800 borrows a day, but for what? They can’t be making much money unless they reach bonus levels, which isn’t such a given now. And what kind of page reads are they getting, are they actually making decent money, enough to warrant what they are doing?

Do they care?

And for every one of them who reads this and has the one rejoinder they like to use – She’s just jealous of our sales, our money, and our success.

LOL, believe me, I am far from jealous.

No. I’m furious, sad, disappointed, and hope to hell they are exposed for what they are sooner or later. Or that KU finally wakes up and lumps them in with the scammers.

Before our community stops growing, and before too many authors give up.



Warning - offensive word use ahead... NSFW - paying lip service to orientation and gender rights

Ryan Getzlaf, hockey player earning $9.25 million a year, used an offensive word in a Stanley Cup third round game, he pretty much screamed the word cocksucker at an opposing player. Not once apparently, but more than once, directed at the referee, allegedly.

This is the moment, plus a typical response to that post:

https://twitter.com/sharonjackson/status/866046012036571136

There was an outcry from both sides; *that was a bad word, and shouldn't have been used in any circumstance*, was one argument. *It's a game, they're men, stop being pansies about this* was fifty percent of the replies.

I should give you some background here. Getzlaf is captain of the Anaheim Ducks, who are playing the Nashville Predators, and kind of losing. The winners of this set of games go through to the finals of *the* cup every hockey player dreams of winning - the Stanley Cup. Tension is high, anger is high, and hockey is a game that is fierce, and violent at times. There is a lot of cursing, and pushing, and hitting, and there is also a lot of mistakes made on ice, calls that were missed, calls made on things that shouldn’t even be calls. Also it is fast. Really fast. It's a mass of movement and action and speed.

To me, Getzlaf seemed like a hard working physical player who appeared in interviews to have a cool sense of humor and seemed to embody what being a captain was all about. I’m not rooting for their team, but I liked to watch him on the ice. I’ve watched him, and many others on every single NHL team curse. A fuck here, a bastard there, a c**t there, using these words as punctuation. There are also one hell of a lot of passive aggressive comments made to the linesman and ref, and there are copious uses of the word shit, fuck, asshole etc.

Andrew Shaw, another player used the word *fag*, was fined and suspended.

Getzlaf used the word *cocksucker* and was fined £10,000 (The maximum they could be apparently - I bet he misses that in his $9.25 million annual salary). The NHL didn't suspend him, because... hell knows, probably because he's the captain, and this is the finals, blah blah.

Mixed message there, and one that supports my ongoing theory.

Both of these words along with my own personal hated word c**t (I can’t even type it LOL) implies that the skater being shouted at is *less than a man should be*. They are *Gay* (fag, cocksucker) or they are women (c**t).

I’ve seen the incident. You can read more here: http://www.outsports.com/2017/5/20/15670274/ryan-getzlaf-gay-slur-fine

Afterwards Getzlaf had this to say:

"Obviously a situation like that where I'm on the bench by myself, frustration set in," Getzlaf said after the Ducks lost 3-1 in Game 5 at Honda Center on Saturday. "There was obviously some words said, not necessarily directed at anyone in particular, it was just kind of a comment. … I've got to be a little bit more responsible … the words I choose."

The league, in fining him, had this to say:

"Getzlaf's comment in Thursday's game, particularly as directed to another individual on the ice, was inappropriately demeaning and disrespectful, and crossed the line into behavior that we deem unacceptable," NHL senior executive vice president of hockey operations Colin Campbell said in a statement. "The type of language chosen and utilized in this instance will not be tolerated in the National Hockey League."

I’m not sure what Getzlaf is meaning when he says this though:

"That's my responsibility … is to understand there's eyes and ears on us all the time. Fortunately enough, nobody heard it. If you can read lips, it's a little bit harder and I apologize for that. That's the thing you won't hear from me again. I hope I didn't offend anybody outside the circle that we trust."

I actually think this is a non-apology and he is saying, "fuck, i thought i'd got away with it, but i was spotted, asshole lip readers", probably.

Endemic in the NHL, and in fact all professional male sports is this whole concept that your sexuality impacts you as a player.

So for me, it wasn’t the use of the slur I wanted to debate, it was the intent behind it.

Heat of the moment, I know. It’s a rough intense sport, I know. Ryan didn’t mean it the way it was said, not so sure. Of course he wanted to use something that would hurt someone as much as he could.

But the worst thing for me is that behind all the You Can Play initiatives, encouraging equality in the sport for all gender, sexual identities, and ability, there will always be that place of final retreat – demeaning a player by likening them to a group that is deemed lesser. Seems to me the NHL is paying lip service to orientation and gender rights.

Next time Getzlaf, stick to *asshole*… we all have those.


Nora Roberts & head hopping


I'm currently listening to the audio of book 1 in the Chesapeake series from my hero Nora Roberts.

God I love the brothers in this story. Book 1 is Cam's story and, sighs, how I love him and Philip and Ethan... and of course Seth.

If you like MF, then this is my FIRST recommendation to you. I can't begin to explain how much I love these books!

But... the head hopping between characters is disconcerting ... and i realized I posted about this in 2013 and what I said then is pretty much what I would say now...

Previous post:

I received a lovely book for Christmas from my sister, a two story Nora Roberts paperback.

I haven't read any Nora for the longest time but her Chesapeake series is on my list of most favorite books of all time. She is my comfort read.


Thing is, I've read about three chapters and have a pointed question.

She head hops like woooahhhh... One minute we are in the guys head, then the girls, then the kid's. We even have a random paragraph in the guy's bit from his dog's POV.

I used to read Nora Roberts all the time, and I love her but I didn't realize how much she head hops. Yet, as a writer, I am told not to head hop at all. Told that a chapter, or at least a defined scene is from one POV and that is it.

Does this kind of single POV writing make us lazy readers?

I must admit where I used to read Nora's writing and follow it perfectly, this book is throwing me out of sorts with it's sudden changes in direction. Is it because head hopping is wrong? Or should we all be writing with as many POVs in our books as possible.

Is it that we have gone too far the other way by restricting our POVs?

Incidentally, look at the cover of the book next to New York Christmas... stock photography FTW... but we got there first.... he he



Why the demise of ARe and KU rankings will be a game changer

I've been doing some soul searching at chez Scott about Kindle Unlimited. Now don't get me wrong I'm so against KU - I've been around quite a few years and I have a loyal group of people who read me in ePub or PDF. I resolved to put all my new books wide, meaning Mobi, ePub or PDF, and I have nearly everything out there available in all formats.

We publish direct at Kobo and Amazon, and use an aggregator for everything else (Smashwords).

There was also ARe, which accounted for maybe 1/10th of my sales quarterly (or at least it used to until Autumn last year when sales began to drop there and rise instead at other places).

So where will the ARe buyers go?

I decided to look at the last four ARe reports and the file types bought and to demonstrate a couple of things I will be completely transparent about my ARe % sales...




This does not include free books. 

What this demonstrates is that just around 50% of my income from ARe was ePub, with the remainder split between PDF and Mobi fairly equally. Have any other authors ever analysed their sales from ARe - did you have a similar split?

So. Questions to ask, where are the 50% going to get their books now? I haven't had a new book out since the ARe implosion so I can't tell yet, but I imagine they are pretty stymied and will go to Smashword, B&N, Kobo? As to PDF, well the only place you can get that format now is Smashwords. 

Have those reading ePub converted to Kindle? And what about the 25% or so that bought Kindle from ARe, will they now go  to Amazon? Were the ARe sales mostly about the free ebook bucks they offered? Was it hatred for Kindle (I've seen this a lot, believe me). Was it about owning files?

Now, another interesting statistic is that the majority of my sales are through Amazon, by far my biggest market is Amazon.com, with UK following after. With potential Mobi sales from ARe switching to Amazon, will this make our books more visible to passing trade? Will more people join KU?

Also, I looked at Kindle.com at *books / gay lesbian/ lit and fic / fiction/ romance / gay*, the following positions were non-KU books.

7, 13, 17, 36, 39, 42, 53, 64, 66, 67, 81, 82, 83, 88, 89, 92, 95, 96, 97

That is three in the top 20, on page 1 of Amazon.com, and only 1 of those books is what we in the web design trade called *above the fold* ie, where you don't need to scroll to see them.

Only 19 out of the top 100 in Amazon.com at this moment for that category is non-KU, or *wide*.

So, should all authors be putting their books into KU? Should we adopt the all-eggs-in-one-basket that a lot of us swore we wouldn't do? Will ARe force us to do things we don't want to do if Mobi becomes the predominant document type??

Maybe 80% of my sales are Kindle Mobi from the different places - how long will it be until it has to be 100% and all in KU for the first three months? 


Full book list to print

I've often been asked if there is anywhere to find a full list of all my books. I tend to point people to my website but yesterday someone pointed out that printing a list from the site looks all kinds of wrong.

So after much playing around I now have a PDF of all my books, and I will attempt to keep it updated every six months or so. Releases for 2017 are on there and there are dates next to each one to indicate when it can be expected.

You can download the list in PDF here:

http://www.mediafire.com/file/pyjyy289jl2d5us/RJScott_February2017.pdf

This is a list of all titles currently available. A couple of older stories are not on there, although some others have made it into new stories. One exception is The Fireman and the Cop which isn't available anywhere... but don't worry it's coming back out soon with a brand new cover, extra wordage, and new editing.

In summary


  • 98 ebooks currently available (94 MM, 4 MF)
  • 72 print books
  • 8 Italian
  • 9 French
  • 2 German
  • 1 Spanish
  • 7 Audio


*I'm tired just looking at that* :)




Inspiration & George Michael

When I answer questions in interviews and blog posts I am often asked what inspires my writing. I can't pin it to one thing, it could be an emotion, or a picture, or a story in my head, a film, a show, a conversation, music... there is so much going on in my head at any one time it's difficult to pin down anything as being *The inspiration (TM)*.

But then George Michael died, and it's taken me this long to really think about what his role was in my life. I'm not a huge George Michael fan - I was never a WHAM fan, and with George it was just a few songs that really captured my imagination. Careless Whisper..

"Guilty feet have got no rhythm"

And of course, he was a big part of Live Aid, which also happened to be a big part of my life when I was at that very passionate age of 17. When Elton John and him did "I Wont Let The Sun Go Down On Me", I was blown away.

Then I met hubby, who was a big George Michael fan; he played me Faith, and I love that song - it was on one of our romantic mix tapes (remember tapes???!!!!), right after my choice of Wah! and Story of the Blues! And don't forget A Different Corner, wow.

So, what prompted me to write this post? Praying For Time. If you've never heard this song I think it is GM at his passionate best along side Careless Whisper.

You can find it here: https://www.youtube.com/watch?v=goroyZbVdlo

This song is amazing. His voice, the words, the absolute passion with which it is sung. Moving, stunning, and in my top ten of all time songs by anyone.

It inspired a fan fiction about two men, one rich and entitled who leaves another man for dead in the snow. The other, the same man he leaves for dead, has lost everything, but he still has compassion. I keep opening it to think about converting the short into a novel, but every time I do I get overwhelmed by the enormity of it and shut it down.

Which brings me to Gabriel, book 2 in the Legacy Series (available April) which is also inspired by Praying For Time, but in very different ways. You'll have to wait to see why when you read it, but the book was just as emotional to write as book 1 (Kyle).  Redemption, love, honesty, hope, all mixed up in one novel.

RIP George XXXX





Other songs mentioned here: 


Don't Let The Sun Go Down On Me - https://www.youtube.com/watch?v=RsKqMNDoR4o 
A Different Corner - https://www.youtube.com/watch?v=IPWHkK-_a_A



Gabriel

Trapped in darkness, can an escort find a man to help him into the light?

Gabriel Reyes never gave in. He fought and was hurt, was abused but escaped with his life. He made his way in the world using the one thing he was good at: sex. Using his body, he earned the flash car and the apartment with the views. Gabriel’s a success; he’s made it.

He needs no one and he has no one. But that’s okay, because he’s safe.

Cameron Stafford hires Gabriel for a night, needing nothing more than eye candy to persuade his family that he’s happy. With the money he has in the bank and a charity that takes him all over the world, why wouldn’t he be happy? It doesn’t matter that a degenerative disease is stealing his vision; for now he has purpose.

One night with an escort was all it was supposed to be, until Cam is thrust into Gabriel’s world. He soon realizes he’s fallen for Gabriel, a man caught in his own world of darkness.

A new story set in the world of Jack and Riley Campbell-Hayes and the Double D Ranch, Texas.

  


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Finding ePubs of my work

Since the rather dramatic demise of All Romance the biggest question I have received is where can I find ePub files of yours?

ePub files are available from two sources:
  1. Kobo - RJ Scott page here
  2. Smashwords - RJ Scott page here
Also, watch this space for other sources, coming soon...



You can download a Kobo reader on any device (phone, ipad, desktop etc) so you officially do not need to own a particular reader to read the epub files.

More information on the Kobo ePub reader here: https://www.kobo.com/us/en/p/apps 


Dealing with ARe | New Cover Art | KU

So... I have had 11 books back this week... 11... (not as bad as the time I got 20 or so from Silver in one month but still... 11).
  • My MF & MM series x 3 books from ARe
  • Alpha Delta from ARe
  • The Kingdom Series x6 books from eXtasy
  • The New Wolf from eXtasy
What is happening with these...

My MF - books 1 and 2 are already back out with beautiful cover art from Meredith Russell. She is currently working on a cover for book 3 which is the MM book. ALL of these three will be available on KU for the three months as an experiment. They are being rebranded as RJ Scott books and I am retiring Rozenn Scott gracefully (something I had planned on doing, but couldn't because I was tied to ARe - see every cloud has a silver lining... wait, did someone mention Silver? LOL).

Alpha Delta will also be on KU, with new art that I have done (no laughing).

The reason it is on KU is a) it's a small experiment b) it's only a novella.

I have inundated poor Meredith with a millionty and one art requests this past week and one day she could well redo Alpha, Delta art and we'll reissue, but for the moment my attempt at a cover will have to be the one I use! LOL. I must admit I am kind of proud of it :)

Alpha Delta will be available in the next couple of days.

I want to reassure you this is not me turning to the KU dark side, this is me getting books out there to experiment for new markets. I still refuse to put my new books to Kindle only and leave out everyone else who reads the other formats. I love my readers, and we've been together a long time!

Speaking of which...

<3 <3 <3

IF YOU NEED ePUBS OF THESE BOOKS or REPLACEMENTS for previously purchased books PLEASE EMAIL Rachel  rjscott.team@gmail.com and she will help you.

* * * * *

The Kingdom series is now with Meredith for new cover art and will be released on all platforms as two volumes of three stories - probably later on in Spring. The New Wolf already has new cover art and will be available soon on all platforms.

I am curiously detached from the whole ARe business, and actually incredibly focused on getting all my books back to me.

Soon I will have all the Ellery books... *my precious's* and Moments and Back Home...

THEN I will only have two stories with publishers, one of which I have asked for back. The other is with DSP and is with a whole lot of other authors so I'm leaving that for a while.

All hail independent publishing.

;)

Authors, we should all stop writing now...

.. and yes that headline is probably the most click baity thing I have ever used (apart from that article I wrote entitled *SEX*). But, I have so much I need to get off my chest. Stop writing? Me? Yeah right, I couldn't give up writing any more than I could give up breathing.

All Romance has gone tits up (official headline). And now, there is a paralysis that I see time and time again and I want to urge everyone to do one thing.

Write through it.

We can do this. Together we can keep going.

Seriously. Fuck 'em all, and keep writing, because otherwise *they* win.

This year we've had catfishing. Middle aged women pretending to be young gay men, or married gay men, or men, or, pretending to be 14 year old kids, or *insert whatever here*. These people have screwed authors over, hurt people, finagled money from fans. This isn't new, but too often the people who highlight their suspicions are shouted down. We all need to listen to each other more.

This year we've had authors setting up funding streams to enable them to write, or begging for free editing, cover art etc. (See the catfishing thing in reference). Also, what the fuck, a go fund me for medical help, yes, to support your writing? Nope.

This year we've had accusations of bi-erasure, and other letters that are being erased. In which a lot of authors, myself included, were pigeon holed as anti-bi, anti-ace, anti-everything. We're just writing as responsibly as we can for the readers who read us. And yes, god dammit, I am an ally.

This year we've had vile people on twitter starting wars against us. Idiots who love to posture and preen and tell everyone what we should think and what we should be writing. Like we care.

This year we've had anti-women-writing-MM-posts. Yep, this doesn't need any more explanation. Girls can't write MM. We see this raise it's ugly head every few months or so. Whatever, get over yourselves, I have girly bits, I write MM. Yep.

This year we've had plagiarism. I was way too close to one plagiarist this year who got all the way up to having her book taken on, edited, and cover-arted by DSP. Stealing is wrong, CL, and you bloody know it, cowbag-who-lied-to-my-face.

This year we've had publishers going tits up and taking all our money. EC, Torquere, and now ARe, not to mention everyone else who likes to screw authors over all the time. I'm down around $2000 to ARe, meh, it's nothing compared to the 60k Silver screwed me out of. But, I'm still here, so take that unscrupulous assholes, you won't destroy me!

This year we've had contracts auto-renewing and tying us in to publishers for two more years. Well, technically this happened in 2016 but it still annoys me to the point where I want to stab someone with a spoon, so I had to mention it. LOL.

This year we've had Sierra Riley. Or as I like to call them, the *Riley's*. A group of authors all writing under the pseudonym of Sierra Riley to game the KU bonus system and to lie every day to readers. Not to mention the latest thing where apparently Sierra Riley is eligible to be in the Goodreads MM author of the year award... kill me now.

This year we've had unscrupulous writers putting shit in KU and calling it writing. No wonder the rest of us are getting a bad rap.

Edited to add ** This year we've had stealing a popular author's name for their own crap writing. Thanks Chris Quinton for reminding me of this latest shitfest. 

Do you see a pattern?

Seems to me that other authors are fighting every day to keep their heads above water, creatively, financially, emotionally.

So, should we stop writing now? Should we get mired in losing money to ARe? Should we allow it to take away what we love doing best?

Fuck no. Keep writing.

Are you reading this when you should be writing?

(Yes, I wrote this when I should be writing, but the anger is strong in this one).

Peace, and hugs, and all kinds of kisses.

RJ X

*not edited *written while angry *sad *emotional *Send Chocolate *And Wine

2016 in review - RJ Scott - the year in numbers


2016 has been another very busy year, and it's only when I get to this point in the year and I summarize everything that I realise just how busy it's been.

Over 600,000 words, 13 new published stories, translations and audio of Texas, and others... yep, there is a reason I am feeling tired.

So if you are interested, here is how my 2016 played out...

Total words written in 2016 (1 January 2016 up to and including 20 December) - 627,202




AUDIO

The Heart of Texas
08/09/2016
Texas Winter31/12/2016

MM ROMANCE
The Rancher's Son (Montana 2)24/03/2016
Kissing Alex (Bodyguards Inc 6)26/04/2016
Boy Banned27/05/2016
A Cowboy's Home (Montana 3)08/07/2016
Kyle - The First Legacy (Legacy 1)31/08/2016
Snow in Montana (Montana 4)08/12/2016
Ice (with Chris Quinton)03/07/2016
The Road to Frosty Hollow (with Meredith Russell) 21/12/2016
Three10/03/2016

MF ROMANCE
Notes and Roses (Stanford Creek 1)25/02/2016
Love and Hope (Stanford Creek 201/09/2016
The Code (Dragons Hockey 1)26/10/2016
Snow and Secrets (Stanford Creek 3)15/11/2016

TRANSLATIONS - ITALIAN
L'apparenza Inganna (Still Waters, Sanctuary 4)02/03/2016
Il cerchio si chiude (Full Circle, Sanctuary 5)15/07/2016
Il diario dei segreti (The Journal of Sanctuary One, Sanctuary 6)18/11/2016

TRANSLATIONS - FRENCH
Eaux Calmes (Still Waters, Sanctuary 4)12/04/2016
Cercle Fermé (Full Circle, Sanctuary 5)15/07/2016

TRANSLATIONS - GERMAN
Ein Weihnachtswunder (The Christmas Throwaway)01/12/2016

PAPERBACKS
The Rancher's Son (Montana 2)24/03/2016
A Cowboy's Home (Montana 3)08/07/2016
Snow In Montana (Montana 4)08/12/2016
Love's Design / Kissing Alex (Bodyguards Inc Volume 2)26/04/2016
Boy Banned 27/05/2016
Kyle (Legacy 1)31/08/2016
Heat / Ice (Salisbury Stories)03/07/2016
The Code (Dragons Hockey 1)26/10/2016
Back Home re-release TB
Ellery Mountain (Volume 3)26/01/2016
Notes and Roses (Stanford Creek 1)01/07/2016

Here's to 2017!

Books that inspired my writing - Little Women

Today is Louisa May Alcott's birthday (or so Google tells me!). She was born 184 years ago.

I read Little Women when I was younger - I have no idea of my actual age, but I remember the book which was a hardback children's version. I picked it up from the library and read it in one sitting. I went straight back and booked out the next books in the series and i devoured them. In my head I was Jo, and I fell in love with Laurent so hard. I remember being devastated when Jo and Laurie didn't end up together, and then equally as pleased when she ended up with Professor Bhaer. Jo was a complex character who didn't quite live up to her older sister, Meg's, perfection as a *young women*.


I recall crying when Beth died, because, my goodness, she was a pure soul. And I loved Amy and her need to be accepted, and that she ended up with Laurie (I mean, who saw that coming!). As to Meg, she was that perfect girl,  the one with the inner light. Marrying John was the ultimate result for her, and she always seemed so happy with her lot in life.

Oh and the plays they put on? I so wanted three sisters to do that with. Of course, I have one sister, but we still managed to make pretend plays although I'm not sure anyone ever saw them!

I love this series of books so much, they were *proper romance*, and probably among the first books I read that relied heavily on relationships.

The books


"...Following the lives of four sisters on a journey out of adolescence, Louisa May Alcott's Little Women explores the difficulties associated with gender roles in a Post-Civil War America ..."
  • Little Women
  • Good Wives
  • Little Men
  • Jo's Boys
 

Sex

Sex in romance books is a thorny subject and one that comes up (pun intended) every few months or so alongside the ever present *woman can't write gay romance* issue.

A friend of mine wrote a novella, and in the review it said *even though there was no sex, it was good* (I am paraphrasing there, but yes, the sentence started with *Even though*)

I get why sex is important and why it is measured in books by some reviewers, readers and even writers. I often sit and think, would it better to have a sex scene here, or maybe a scene where there is kissing and talking. I ask myself is sex important here, or would I be shoe horning it in.

I'm not known for having sex in every book, if you want detailed sex then Texas, or Three, is your best bet, but I want to share a sample of my writing here. It's from an old book, one of my earliest; All The Kings Men.


The smoke was no longer a suggestion or a maybe. It was starting to get into the air they were breathing and in their noses, the scent of burning pine and acrid smoke. Ryan did his best to hide the little girl’s face in his neck, urging her to breathe gently, and with his other arm, he attempted to support Nathan more, hearing the rasping in his lover’s chest, knowing he must be in so much pain.

Every so often he looked back. The last time he could swear he saw the fire jumping from one tree to another at the top of the mountain, his imagination hearing the spits and the crackle and the roar of the fire eating away at everything in its path.

He knew it was a mile, maybe less, to the base of the hill and to the highway. Surely there would be something there, some kind of rescue for those people like them that had been trapped on the side of the hills. The highway must provide a natural break for the fire. If he could just get Nathan and the girl to the other side…

He saw more cars tossed like children’s toys to the side, mostly empty, some with people—bodies—with no life in their eyes. Ryan couldn’t bear to look, wondering how these nightmare images would visit him when they were safe.

He heard a voice. “Help, help me.”
No, I can’t hear that, I can’t, hold Nathan closer, hide the girl’s face.

“Please, man, just pull me out, please.”

Nathan stopped. Ryan couldn’t bring himself to not look. He saw a man trapped in the car, his face covered in blood.

The man’s face was twisted in agony. A woman lay dead in the seat beside him, and the spectre of the fire behind them danced, sending pinpoints of light onto the black polished metal of the car. Weighing his options—keep moving or leave a man to die—Ryan didn’t hesitate. He placed the child on the ground and encouraged her to hold Nathan’s hand. He instinctively pulled on the door handle of the distorted car. It wouldn’t move, but with no glass in the way, he leaned in over the body of the dead woman whose eyes were wide, frozen in horror. He could hear the man’s voice, broken and scared.

Ryan leaned in closer, cataloguing the extent of the damage. The engine had been forced back into the car, leaving the passenger dead and the driver, the man, with his legs trapped and mangled. There was so much blood and the guy’s expression was dazed.

He would have to pull the man free, but he could see there was no way. Even the fire department with the Jaws of Life would take longer than he had. Tears pushed at his eyes, angry, frustrated tears, and he pulled back abruptly to return to Nathan, starting to slide an arm under his friend to resume the walk.

“Wait, we need to—” Nathan coughed, and Ryan lifted his chin, looking deep into green eyes wide with fear.

“I can’t help him; there’s no time. I have to get you and the girl to safety,” he said clearly, feeling his stomach churn and heave at the thought that he was condemning a man to die.

“Tell him we’ll send help. Please…”

* * * * *

In this book Ryan and Nathan escape from an earthquake in LA, a city is destroyed in front of them, and forest fires are spreading down to the highway. They are both hurt, they have a child they found and who needs them.

Want to know what one reviewer said? *Not enough sex for me*. No talking about the descriptions, or the romance, or the drama, or anything, just *not enough sex for me*.

I remember being shocked at the time, because WAIT, these two men are broken, running for their lives, they have to run, they wont stop for a quick shag in the forest. 

BUT, what did the reviewer mean really? I like to think now, that what they meant was ... if a reader was reading the review that they should avoid this particular book if what they were looking for was a sex heavy book. 

Not that the reviewer thought a quick blow job would be appropriate whilst escaping a forest fire and aftershocks.

What actually qualifies as sex in a book?


So, what is sex? I've seen that a lot of discussion among writers and readers recently. Quite a few of my friends have had reviews, along with me, *could do with more sex* or *there was no sex*.

Like All The Kings Men, Kyle is a story where the concept of sex and love is a little skewed. There is an epilogue to ATKM where there is a romantic scene (yes I caved in and added an epilogue with, you guessed it, the sexeh times).

But Kyle. No. There would be no *penetrative* sex, because, these men have been through HELL. But there is kissing, and exploration, and blowjobs, and confusion, and laughter, and not trusting becoming trust, and like all my books, there is love. 

In my mind as I wrote them, Kyle and Jason DID have sex, or more importantly, they make love in ways that fit within the constructs of everything they have been through. The fact that a certain scene happens at all is only because they find a quiet place in themselves where they can let love and trust in.

Does this mean Kyle and Jason (with their handjobs and blowjobs) don't have *sex*.

I don't think I have seen a single review for Kyle that says there should have been sex; I've seen a few, that like ATKM, warn there is no *sex* with the proviso that it would have been utterly inappropriate. 

I get why reviewers have to say this. Because to some readers, unless there is penetration, then there is no sex, and some readers just need that validation of penetration meaning sex has been *done*.

Are you a reviewer? Do you feel the pressure to warn on levels of sex in a book? Readers, do you specifically look for some penetration meaning sex? Writers, do you feel pressured to write sex? 

What do you think? 

The end of an era

BHS opens, 1969, Southend-on-Sea, Essex
I saw something really sad yesterday. We have (or had) a  chain of shops called British Home Stores, or BHS as we inevitably shortened it to.

Sometimes, on a saturday mum and dad would do the *afternoon stroll* around Southend shops. God, it was so boring (you have to remember I was really young, and looking at clothes was never something I wanted to do at that age!).  BHS (or C&A) was the place to go if you couldn't quite afford the prices of M&S.

The classic memory I have of BHS was mum buying a winter coat, and trying on EVERY SINGLE COAT in the store (at least twice!). What I also recall about that time was me going around all the coats, on the floor, under the displays, and pulling off all the little packets that held spare buttons for the coats.

Yes, I was that child. 

I recall getting in trouble, but not as much trouble as the time I liberated a pack of marbles from the high street toystore and got caught... *coughs*.

Anyway, that is getting off the subject. The sad thing I saw was the Milton Keyne's BHS doing a last minute *everything must go* sale. Just a huge table at the front of the shop; DVDs, books, and some last minute clothes. A group of people were hovering around the table as the staff kept putting prices down. Yesterday was the last time we'll see a BHS, every branch is now shut, or nearly shut, a victim of a lot of factors; mismanagement, online purchasing, the economy...


It's been slow, insidious, but the high street landscape is changing. Pound shops, charity shops filling spaces where larger shops were before, huge hypermarkets...

Kind of sad, but there is an inevitable march toward the chain department stores just disappearing.

Hells, M&S might be next.

And then, where would I buy my Percy Pigs from?