Showing posts with label Publishing. Show all posts

Sunday Essay - Another publisher closes it's doors.

Another week and another publisher closing down.

This time Loose Id. 

I’ve never worked with them but they were the publishers for a lot of my friends who will now have to find new homes for their work. Loose Id have been around for a very long time, and were one of the stalwarts of online publishing.

On Facebook I’ve seen an incredible amount of debate as to why the publisher closed. Did they not move with the times? Were their prices too high? Did Amazon’s ferocious grip on selling books drive them out? Did they fall down on marketing? Were they too big/old? We they destroyed by KU? Was it because of self publishing?

I can’t speak for what happened at Loose Id, but I should imagine it was a combination of all of those things.

The market has changed so much in the seven years I’ve been writing. It used to be that you sent a manuscript to a publisher; they edited it, gave you a cover, did a bit of marketing, and you were seen because so many people visited that publisher site.

Now the 'majority' of people go to Amazon see the top 100 and buy from there. (note, majority doesn't include everyone; some people still look at Publisher lists and buy direct).

It used to be that a couple of sexy images with your book in them would constitute marketing, and be enough for people to see your book and to buy it. No need to create discussion groups, or form relationships with people to boost you. Used to be that putting your cover in a magazine, or highlight you at a convention was enough to get a buzz about your books. Then published GLBTQ books went from several hundred, to thousands, to more.

Marketing is all about the author, it is the author’s responsibility to market themselves harder than a publisher would. A publisher cannot market you as much as you can yourself.


I recall my first conversations with Totally Bound (Entwined/Pride/Whatever). They promised the earth, and it all sounded so good. A microsite for my books, where they would invest time in working on my brand. Solidly edited books that would have no faults. Cover Art that would wow people. Mentions in magazines. Interviews. The ability to put my books up on the Zon as pre-orders. You name it and I was promised it, and I must say though, that the cover art they supplied me with was always gorgeous. For me, it was the only thing they did right.

And so I went to them with a couple of my old Silver books and a brand new series, the Ellery Mountain books, oh and End Street with Amber of course.

And Crooked Tree Ranch (edited a week or so before release), with no marketing back up at all apart from a lovely cover, no microsite, no interviews, no push, nothing. Easy money for them, a disappointment from me and the beginning of the end for my time with them. They lost me, my Montana series, and any future books.

Think about it, they could have had my new Wyoming series, my Christmas books, my standalones, hell, me and VL might have even put our Hockey books there.

But what could they do for me that I couldn’t do for myself?

I’m LUCKY, I know this, and I am not saying for one minute everyone who wants to write gives up their job and locks themselves in a room to write. I am a full time writer, with the time to work on marketing, and writing more books, and spending time with readers.

Others have full time jobs, and writing is extra, they don’t want the hassle or indeed the cost of editing, or cover art, or the expenses of marketing, and a publisher is their best route.

Problem is, so many of us have control over what we do and end up self publishing, and Publishers lose us. Is that the fault of the self publishers? Is it Amazon’s fault? Or did the publishers not move with the times?

Let's just look at price.

My new Christmas book is a dollar less than I would normally charge, simply because it’s kind of a Christmas gift for readers. It’s £2.99 (and for up to 50k I normally charge 3.99). You won't see a publisher putting books out at an aggressive price, because they can’t. They have staff, buildings maybe, all kinds of overheads.

But $7 for a 50k book? It doesn’t matter your opinion on devaluing our work by charging less (that is another blog for another time), unless that author is an auto buy for you, would you take the chance on a new $7 book from an author you didn't know?

I worry that publishers are depending too much on their big names bringing in enough to cover the books that maybe don’t sell as well.

And what happens if your big names leave? Or they write a book that doesn’t sell? Where will a publisher find their next big name?

It’s getting less and less likely that the next 'big thing' in this market will come from a publisher.

Because that new writer, who markets themselves, prices themselves decently, has a positive and sunny presence on Facebook, Twitter and other platforms, makes connections and friendships with existing authors, markets themselves every day… they will inevitably up self publishing when they see the publishers aren’t doing enough for them.

I’m not calling publishers dinosaurs. I’m not saying they should all pack up and go home. There is a strong need for publishers in this delicate ecosystem of publishing. For newbies, for us old guys, for limited innovation, for taking the stress and cost of publishing away from the new author. For selling your books to audio or translating them. That is their place.

I’ve said it before and I will say it again, it is up to the author what avenue they choose, the one that feels best for them, self-publishing, going with a publisher, or a hybrid of both.

The cost of a quality product is enormous. The market is changing daily.

And I don’t agree that it is *The fault of self publishers* or *Amazon’s fault*. I honestly think publishing companies are struggling to give authors and readers what they really need. :(

And so they end up having to shut their doors.

*Sad*


Celebrating five years and counting. Fan Fiction, Publishing and Thanks.

The Single Picture that started me
on the path to writing MM
Jared Padalecki and Jensen Ackles
So it was between Christmas and New Year 2009. That is when it happened. In the weirdest of ways as well.

As Garvaldmains (my Live Journal Pseudonym) I had written a million words of fan fiction in the J2 world (Jared/Jensen AU, Supernatural). I wrote so many stories and I was clearing chapters every other day.

None of it was edited, but it was a need inside me to write and have an audience for that writing that just literally fell onto the keyboard to form stories.

I learned my craft writing fan fiction. The bad habits that needed sorting, the feedback that was necessary, the sheer joy of crafting a story for people to read.

To anyone who says fan fiction is a bad thing, then I say, bollox... ROFL... The best thing I learned from fan fiction was that I was able to write a story that at least ten people read and to me that was the best lesson of all. Love it or hate it fan fiction is responsible for me being a writer today, and you wouldn't believe how many of my fellow writers started the same way.

And if someone wants to write fan fiction around my characters - fair play to them.

Anyway, I digress, it came to a point when I'd read all of the J2 that was out there and I turned to MM as a way to fill this gap where there were no J2 stories left... after all two men together... *fans self*

The original art banner for my J2 story Sanctuary
 by the awesome Hay1ock aka Meredith Russell
I'd been writing long hand for so long, but nothing was ever finished. I had the ideas but I didn't have the patience to write a 50k novel long hand. I'd written short stories based in the (original) Battlestar Galactica series. Then, I had this story, it had a female hero (!) and her requisite male lover and it was based around an organisation helping people in need. I called it Sanctuary and I was going to send it to Silhouette (Mills and Boon). I never did. I got maybe four chapters in, but jeez, why bother, because no one gets published... do they...

My first ever fan fiction story was called Sanctuary - yet another incarnation where I had this idea of a cabin in lock down - probably the only part that ended up in the final Guarding Morgan idea!

So I had this friend, Chris Quinton (yes, that Chris Quinton) who read some of my J2 and answered my questions about what it was like being published and would it ever happen for me? She said she thought I should give it a try and that was probably Autumn 2009. Then I hid, because let's face it, no one would want to read my stuff, and god, my grammar was appalling (yes Erika, I know it still is).

I was sitting on the sofa reading some MM, Serena Yates was one of my first, and I happened to click on the Dreamspinner site and a call for an antho featuring angels called A Brush Of Wings.

That was a good place to start. In the space of a day I had the story written, it just flowed, it was there. It had no grammar and it needed a good beta (Chris, Gayle and Meredith to the rescue) but all in all after three days of fiddling and with no hope at all, I subbed it to DSP. That was New Years 2009 and into early 2010.

They took it. They wanted it. Just like that. Bloody hell. I was going to be a published author.

The rest of 2009 was treacle slow. Oracle was out in the Summer with the now defunct *(&%^^$ Publishing, then Moments in October (my take on the Hollywood bad boy and his rescuer) and The Christmas Throwaway, which came out for Christmas.

Everything was kind of slow. Sales of Oracle were okay, but it was a first book and I wouldn't have tried it from a new author myself, let alone expecting others to take a chance on it. Moments sold better and I think at that point I realised my niche may well be Contemporary MM as opposed to Paranormal MM. Money trickled in and I imagined that this writing business would be a good hobby to have along side my EDJ which was web design. That was okay. Because very few people become full time authors. I knew that and I was cool with it.

Then Throwaway did something unexpected. It kind of went a little bit ballistic. The tale of a young boy thrown onto the streets at Christmas seemed to tick a lot of boxes with readers and it stayed at number 1 on ARe for a long time becoming the best selling book of 2010 with them. It also broke position 300 overall in Amazon and suddenly I had a slim chance to maybe make a living from this.

If only I could find the magic ingredient that made TCT so popular I could maybe give up web design... ROFL...

Hubby recalls a car journey we made where we talked about how I had sold 50 copies of Oracle and how I had made so many dollars (I can't recall how much). He said, imagine if you managed to sell 100, or 200. I remember laughing - that was never going to happen.

So how did I follow up 2010? 2011 was so busy. It started with Kian, Back Home, All The Kings Men with One Night following quickly. Back Home and One Night sold well, the other two not so much. But at least I had some kind of balance, and a small amount of money from (*&%^^$ Publishing each month (nice while it lasted - sorry, I had to get that in!)

Then I wrote The Heart Of Texas, which was another game changer like Throwaway, unashamedly written in a soap opera style it was a labour of love and somehow it worked. Now I am lucky enough to be a full time writer.  So from a short story five years ago to the life I have which I only dreamed of I call myself the luckiest person alive.

So okay, 2012 it all went tits up (as we say in the UK), but meh, we're all over that now... rofl... onwards and upwards with Love Lane, and writing, and just being bloody happy.

Anyway, after five years, all I want to say is thank you and for you all to know I really mean it.

Thank you for every single book you have bought, read, and reviewed.

Thank you for every book you buy in the MM genre.

Thank you to all my wonderful friends in the MM world.

I count myself so lucky to be able to do what I do. For the first time since I was 19 I found a career I could be happy in.

Happy New Year and very best wishes for 2015.

RJ XXXXX